![]() Each movement is superbly built, and Chandos's recording is truly impressive although in the excerpts from Chausson's incidental music for The Tempest, the sound is perhaps a little bulky.Adaptive_ocr true Addeddate 08:44:52 Betterpdf true Bookreader-defaults mode/1up Boxid IA1660809 Catalog_time 446 Condition Very Good Condition-visual Very Good Country US Derive_submittime 08:44:29 Disccount 1 External-identifier This is the finest modern recording of the Symphony now available. There are none of Franck's organ-loft sonorities anywhere in this wonderfully variegated, open-air orchestration. The Symphony, like Franck's, is cyclical, but not otherwise as indebted to the older composer as is often suggested. The programme as a whole, the overall richness of the orchestral process – whether Wagnerian, Franckian, Straussian or Chaussonian – is well served by the full-bodied sound of Tortelier's BBC Philharmonic. Never entirely perhaps, but by the time the 43-year-old composer came to write his last orchestral piece, the nocturnal Soir de fête included here, his escape from Wagner was well under way, and who knows where it might have led, had it not been for his tragically early death the following year? The outer sections of Soir defête have something about them of 'the vibrating, dancing rhythms of the atmosphere' of Debussy's later Fêtes. The second, which the disc doesn't dispel quite so well, is that in his orchestral writing never managed to free itself from Wagner's embrace. ![]() The first, which this disc dispels admirably, is that the majority of Chausson's music, in the manner of his Poème, is endlessly melancholic or elegiac. There are at least two misconceptions to put right about Franck's arguably most gifted pupil. ![]()
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